Ride Back (720p BD – 100MB)

Ride Back
Ride Back (synonym)
RideBack (official)

* Based on a manga by http://anidb.net/cr10163 [Kasahara Tetsurou].
In a future world where an organization called the GGP has taken control of the world, http://anidb.net/ch2377 [Ogata Rin] had a promising career as an up-and-coming ballet dancer, but suffered a serious injury and decided to quit.
Years later in college she comes across an unusual club building and soon finds herself intrigued by a transforming motorcycle-like vehicle called a Rideback. She discovers that her unique ballet skills with balance and finesse make her a natural on a Rideback. However, those same skills also get her into serious trouble with the government.
Source: ANN

Anime Type – TV Series
Total Episodes – 12
Rating – 6.36
Start Date – 2009-01-12
End Date – 2009-03-30

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Episode 1 : Direct Download |
Episode 2 : Direct Download |
Episode 3 : Direct Download |
Episode 4 : Direct Download |
Episode 5 : Direct Download |
Episode 6 : Direct Download |
Episode 7 : Direct Download |
Episode 8 : Direct Download |
Episode 9 : Direct Download |
Episode 10 : Direct Download |
Episode 11 : Direct Download |
Episode 12 : Direct Download |
NCED : Direct Download |
NCOP : Direct Download |

Rideback tells the story of Ogata Rin, a ballet prodigy who, due to an injury, was forced to stop practicing ballet. Rideback also tells an alternate future story about a world government, the GGP, against the terrorist group BMA. These two seemingly unrelated plotlines come together and quite possibly make Rideback one of the best show to come out of the Winter 2008 anime season.

The first thing that caught my eye when I saw Rideback was the quality of the animation. The CG work in this show is amazing. From the very first episode to the very last episode, the Ridebacks were given extremely fluid animation and modeling, almost to the point of realism. I found it very neat to not have to suspend my disbelief too much at the Ridebacks, since they were animated so well. The character designs and movement were also done quite nicely, and having the show air in HD helped a lot. Madhouse did a fantastic job of creating a living, breathing, alternate universe Tokyo in the year 2020.

The second thing that caught my eye, or in this case, my ears, were the sound and the music. Music composer Takafumi Wada went all out, mixing techno, classical, and heart-thumping action pieces throughout the show. The music really coordinated with the scenes, especially during the action sequences along with the soliloquy sequences. The opening song is a jumble of Engrish, but once you figure out the lyrics, it creates a nice motif to the show. The ending song is a slow ballad, which goes nicely with the slideshow of solemn redemption scenes.

The characters, given the time constraint of the show, were given enough development for the audience to care for. We get to see Ogata Rin’s desires and motivations, the BMA’s desires and motivations, and we are able to empathize with them. However, many secondary characters were one dimensional and only appear in the show to create plot devices. Sadly, with only 12 episodes, these characters were unable to become fully fleshed out. We can only see the police chief as only “the police chief,” the reporter as only “the reporter,” and the Rideback club members as only “the Rideback club members.”

The story is also a mixed bag. Frankly, Rin’s soliloquies were much more fascinating than the game of cat and mouse between the terrorists and GGP. Madhouse, however, did a fantastic job to meld the two storylines together. I can see why some people would scoff at sudden climax in the last episode, or at the disregard for physics in some of the action scenes. But all in all, the story provides a nice tinge of sentimentalism, which is not overbearing or underwhelming. The allegory between Rin’s Fuego and her desire to continue ballet is done very well, I must say.

When I started watching Rideback, I didn’t know what to expect, other than awesome animation. After finishing it, I found out that it had a little of everything: political intrigue, amazing action scenes, intense ballet, and lesbian tendencies. On Anidb’s comments for Rideback, some people have complained that this show is all animation, no quality. I must politely disagree. Most shows hit you over the head with repeated symbolism. Rideback, however, does it with style, by layering the symbolism with multiple story backdrops. I recommend this show highly to those who enjoy action and mecha series in general, and to those who like to see quality coming-of-age stories.

I forgot to mention that the voice acting in this show is superb, especially commendable is Nana Mizuki as Ogata Rin. I want to end by imploring whoever is reading this not to get discouraged by Anidb comments, and give Rideback a chance. I was quite glad I did

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